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here are some pics!
Click on the Buon Giorno link at left, if this is your first time here!
If you have Google Earth installed on your computer, you can view your maps in Google Earth. To do this:
Rome (Italian: Roma) is the capital city of Italy and of the Lazio region, as well as the country's largest and most populous comune, with about 2.5 million residents. Its metropolitan area is Italy's third, after Milan and Naples. It is located in the central-western portion of the Italian peninsula, where the river Aniene joins the Tiber. The current Mayor of Rome is Walter Veltroni.
According to legend, the city of Rome was founded by the twins Romulus and Remus on April 21, 753 BC. Archaeological evidence supports claims that Rome was inhabited since the 8th century BC and earlier.[2] The city was the cradle of Roman civilization that produced the largest and longest-lasting empire of classical antiquity.[citation needed] The city was pivotal and responsible for the spread of Greco-Roman culture that endures to this day. Rome is also identified with the Catholic Church and the holders of its episcopal seat are the popes. An enclave of Rome is the State of the Vatican City, the sovereign territory of the Holy See and smallest nation in the world.
Rome, Caput mundi ("capital of the world"), la Città Eterna ("the Eternal City"), Limen Apostolorum ("threshold of the Apostles"), la città dei sette colli ("the city of the seven hills") or simply l'Urbe ("the City"),[3] is thoroughly modern and cosmopolitan. As one of the few major European cities that escaped World War II relatively unscathed, central Rome remains essentially Renaissance and Baroque in character. The Historic Centre of Rome is listed by UNESCO as a World Heritage Site[4].
Walk and feel the energy of the place, sights are everywhere waiting to be discovered. Explore the Trastevere neighbourhood for some great cafes and trattorie, and a glimpse at a hip Roman neighbourhood.
Partying in Rome is a pretty easy thing to do. Given a heart for exploration, Testaccio is the place to wander. Head down there around 11pm and listen for music. The outsides of the clubs will give you NO idea what the insides are like. There are usually loads of people simply walking through the street or looking for parking. Be brave, walk in, meet some wonderful Romans, but never buy them drinks unless you are looking for sex (in this case, better to be sure you are inviting the right person). This area is best in the summer when the dancing moves outside. In the winter, most clubs close.
The Trastevere neighborhood and the old Jewish quarter have some of the best trattorie and ristoranti in Rome.
In Rome you can ask for:
Avoid the tourist areas where you'll often pay double the going rate just to get a badly reheated frozen pizza. Instead, head for a pizzeria like 'Pizzeria Maratoneta' in via dei Volsci / via del Sardi, San Lorenzo area, where you'll find a fine atmosphere of families and groups of students, and you'll get a good meal with a bottle of local plonk at a very reasonable price. You'll get an English menu, too.
There are a few vegetarian restaurants in Rome. 'Arancia Blu' on Via Dei Latini (Via Tiburtina) is posh, overpriced and not that good, but the wine list looks impressive.
around at 23:00. Via dell'Aeronautica, 105 - Bus 764 - Metro B Laurentina
Located in the very center of the city this place offer a very good variety of cakes, sweets, coffee and tea. Furnishing is also nice, there are also couches as seats on some table. Prices are mid-high range but it worths every single cent. Closes at 20:00 Via del governo vecchio,12 - Tel. 066865242
Regional wines are cheaper and very good. House wines are almost always drinkable and inexpensive (unlike, say in the UK). Most trattorie wouldn't be caught dead serving poor wine. You may often find a bottle of wine on the table for you. Believe it or not, this bottle will be less expensive than a glass would be in the US or UK, possibly only €4 or €5. This doesn't always apply to those places that look really tourist-trap-like! (And why would you want to eat there?)
Water is free at most designated water fountains. Some of these date to ancient times, and the water is still very good. It's fresh spring water and safe to drink. If you carry an empty bottle, fill it up for the rest of the day. Look for the drinking fountain with constant running water, plug the bottom hole, and cool water will shoot up from a smaller hole on top of the tap.
The Colosseum, Forum, and Palatine Hill are all in very close proximity to each other.
The site surrounding the Pantheon offers a lesson in archaeologial stratigraphy. The building now appears to be built in a recess at the edge of a hill, but this is not the original appearance. The street level at the sides and rear has risen about 10 meters since the original construction due to the accumulation of debris from 2,000 years of settlement. This has necessitated the maintenance of the deep trench that keeps the building from being buried.
If you aren't familiar with Roman Catholic churches, take a look inside of any one of these. You'll find the richness and range of decor astonishing, from fine classical art to tacky electric candles. Please note that some churches in Rome deny admission to people who are dressed inappropriately. You will find "fashion police" at Rome's most visited churches - near the front doors of St Peter's, St Paul Outside the Walls, and often Sta Maria Maggiore and San Giovanni in Laterano. Bare shoulders, short skirts, and shorts are officially not allowed. However, long shorts and skirts reaching just above the knee should be no problem. The stricter churches usually have vendors just outside selling inexpensive scarves. Few other churches in Rome enforce dress codes. You can wander into lesser known churches like Sant'Ivo and Sta Maria in Trastevere wearing shorts, sleeveless shirts, or pretty much anything without problems. It is, however, good to keep one's dress tasteful, as these are still churches and houses of prayer for many people.
"CORRADO VALENTE"
via Molinelli, 27
19016 Monterosso al Mare (SP)
Monterosso al Mare is a town and commune in the province of La Spezia, part of the region of Liguria (northern Italy). It is one of the five villages in Cinque Terre. The town is divided into two distinct parts: the old town and the new town. The two areas are divided by a single tunnel that caters to pedestrians and the very few cars in the town.
The beach at Monterosso runs along most of the coast line and is well used by tourists and locals. The beach is the only extensive sand beach in the Cinque Terre. Monterosso is a small town that in the summer months is overrun by tourists.
The Cinque Terre boasts some of the best coastline hiking trails in the world.
The path from Riomaggiore to Manarola is called the Via Dell'Amore (or roughly "Lovers Walk"). The beautiful trail along the shore is very easy to hike. The next hike from Manarola to Corniglia is also easy. The trail from Corniglia to Vernazza offers incredible views of shore and is only steep at certain places. The trail from Vernazza to Monterosso is the steepest (but not overly demanding), winding through Olive orchards and vineyards and offering dramatic ocean views.
The walk between all the villages takes the better part of a day. For those that would rather not walk (or not walk the entire trail), a pedestrian ferry service runs seasonally to all five villages, plus Lerici. The price is reasonable, and gives a nice view of the villages from the water. The milk train that connect all the villages is also a quick way to hop among towns.
When grapevines and olive trees cover the hillsides, wine and oil are a must on our tables. They prove excellent companions for the salted anchovies of Monterosso served in olive oil as well as the many specialty fish dishes, authentic gastronomic delights.
The cuisine of the Cinque Terre almost perfectly conserves the characteristics of yesteryear; the respect for the flavors and fragrances of the primary ingredients. Troffie is a kind of pasta made from chestnut or wheat flour and is one of the forefathers of modern and more sophisticated pasta. Its condiment is still pesto sauce; an original Ligurian sauce made from basil leaves, extra virgin olive oil, grated cheese, pine nuts, and marjoram. Tagliatelle, a broad handmade pasta, is used with sauces that contain mushrooms, cabbage and potatoes, beans, chickpeas or sometimes with pesto.
Vegetable pies, 'torte di verdura' are prepared with a stuffing containing borage (borago officinalis), parsley, marjoram, other local herbs that grow wild, artichokes, swiss chard, zucchini, potatoes, and leeks are combined with egg and ricotta cheese or with stale bread soaked in milk or béchamel sauce (depending on each family's traditions), parmesan cheese. The pie crust is very thin, because flour was a very precious commodity.
Rice pie, or 'torta di riso' is a specialty of every grandma in the region. In Monterosso this rice pie was made even more delectable by adding a bit of dried mushrooms to the filling. In Manarola, the tradition is to make this dish for the feast of the patron saint Saint Lawrence on August 9th.
Egg 'fritatte', or flat omelettes, are popular today as the 'frittata' has been rediscovered as a tasty antipasto. Another important dish on the tables of the Cinque Terre population was the 'cotoletta di acciuga', anchovies stuffed with a breadcrumb based filling and then fried. The 'fritelle di bianchetti', fritters made from tiny newborn anchovies or sardines were also highly appreciated. Following the seamen's gastronomic traditions, other dishes included stewed cuttlefish, stuffed calamari and spiced octopus.
Mussels, another protected designation of origin product from the Gulf of La Spezia are prepared in a variety of ways: stuffed, stewed, baked.
Manarola
Riomaggiore
The fame of the Cinque Terre is largely due to its products, the dry white wine, simply called 'Cinque Terre' and the 'Sciacchetrà', a prized dessert wine made from prime grapes dried to the point of holding only a few drops of sweet juice. A colorful addition to the Cinque Terre products is 'limoncino'; a dessert wine made from steeping lemon peels in pure alcohol and then adding sugar and water to make a fragrant and fresh liquor. The lemons, another famous product of the Cinque Terre are prominently on display in the many 'limoneti' (lemon groves) and at the annual Lemon Festival held each year in Monterosso during the season of Pentacost.
The Sentieri dell'Uva (Grape Routes) are still as they once were with fig trees planted in strategic positions to give shade during breaks from work, agaves planted to mark boundaries, to line the footpaths along steep, stony steps and to indicate the rail terminals of the recently installed monorails which are the only vertical structures emerging from this seemingly completely, horizontal landscape. Many dry stone walls support this terraced landscape.
The large wicker baskets of grapes (corbe) are arranged along the "pose" (little walls, as wide as tables, built solely for this purpose). These include Albarola (Trebbiana), Biancorotto, Bruciapagliaio, Piccabon (Pizzamosca). To make white table wines the following are used: Fiore di Bosco, Rappolungo, Fogiaccia, Ruspara, and Sesagra. Baskets full of Magnagra (Albarola), from which the famous Black Sciacchetrà is made, are handled with extreme care and set to one side.
The Cinque Terre grape tracks reach down to the sea. In the past, people used to anchor small fishing boats called "gozzi" immediately below the terraced vineyards. Baskets laden with grapes were then lowered from above into these small boats which then sailed round to the otherwise inaccessible village.
Nowadays this method is nothing but a distant memory but by visiting the Cinque Terre you are still able to sample some of the most prized wines of the world that have been created by centuries of backbreaking experience.
Historically, many of the villages on the Mediterranean were walled to protect againstt attacks from the sea. This area of the coast was often attacked by Muslim pirates and Vikings. Viking influence can still be seen in the occasional fair-skinned, red-headed children of the native villagers in the region.
Originally, the village was only accessible by sea or by mule paths that connected the villages of the Cinque Terre as well as to Via Roma, the main road that connected all of Italy to Rome. These mule paths have been maintained and used over the centuries and now provide hikers with a more intimate view of the sea-swept Cinque Terre. The area was recently designated as part of the national park system and is considered a protected area, to the effect of limited development and resource usage. The Cinque Terre hiking trails have been taken over by the national park system and there is now a fee to hike on all portions of the trail.
via Matteotti 32
Volterra (Pisa)
Tel.058887377
Fax.058892784
e-mail info@albergoetruria.it
http://www.albergoetruria.it/index.htm
Volterra is a town in the Tuscany region, Italy. The town has a history which dates back to the Etruscan Period. This town was a Neolithic settlement and an important Etruscan center with an original civilization; it became a municipium in the Roman Age. The city was a bishop's residence in the fifth century and its episcopal power was affirmed during the twelfth century. With the decline of the episcopate, Volterra was the subject of the interest of Florence, which defeated Volterra many times though rebellions sometimes took place. When the Florentian Republic fell in 1530, Volterra came under the control of the Medici family. Among the sights to see in Volterra are the Piazza dei Priori, one of Italy’s most beautiful squares, surrounded by impressive 14th-century buildings; the Palazzo dei Priori; the municipal Picture Gallery; the Romanesque Cathedral; the Baptistery; the arched Porta all’arco; the Etruscan acropolis; the Medicean fortress named "Maschio"; the alley called Viale dei Ponti; Via dei Matteotti; the Guarnacci Etruscan Museum, with thousands of funeral urns dating back to the Hellenistic and Archaic periods; the archaeological excavations of the city's Roman amphitheatre; and the tombs in Valle Bona.Volterra is the native city of the poet Persius Flaccus, of the humanists Tommaso Inghirami and Raffaele Maffei, of the painters and sculptors Baldassare Perugini and Daniele Ricciarelli. According to the "Liber Pontificalis", Volterra was the birthplace of St. Linus, the immediate successor of St. Peter. Nothing is known as to its Christian origins. Eucharistus, the first bishop of Volterra of whom there is any record (495), was deposed by the pope, and Helpidius (496) was put in his place. Justus (560) was at first involved in the Schism of the Three Chapters. Other bishops were: Gunfridus (1014), whose metrical epitaph is to be seen in the cathedral; Herimannus (1066), a Camaldolese monk and reformer of the clergy; Galgano, killed by the people in 1172, for some unknown reason; St. Ugo dei Conti del Castel d'Agnato (1173 84), a defender of the rights of his church, and founder of a college for the education of clerics; Pagao dell'Ardenghesca (1213), who vainly endeavoured to retain the temporal government of the city. The conflict on this score was continued under Pagano's successors, particularly under Raineri Belforti (1301). Roberto degli Adimari was deposed for taking part in the Council of Basle. Joseph du Mesnil (1748) died a prisoner in Castel Sant' Angelo. Giuseppe Incontri (1806) distingished himself by his beneficence. Pius IX made his first studies in the Piarist College at Volterra.
Meublè Il Riccio
Via di Talosa, 21 - 53045 Montepulciano SIENA
Phone & Fax +39/0578/757713
http://www.ilriccio.net/english/index.html
"In Montepulciano, from 1080, there lived a noble and wealthy family known as de'Pucci, who in the years to come would provide their country with many men who became illustrious in the field of science, the army, the magistrature and in the church hierarchy. Their palazzo was in via Tolosa (or rather Talosa) in the parish of St.Maria, an old church later destroyed to make way for the late 16th Century cathedral.
Today both via Talosa and the Pucci palazzo survive".
All this can be read in a guide book of Montepulciano.
The palazzo, which after the Council of Trent (1545 - 1563) was destined to become an episcopal seminary, has had various owners including the famous Bellarmini family.
San Roberto Bellarmini (also called Bellarmino), was a Jesuit Cardinal and a bitter opponent of Galileo Galilei. Another of the famous owners was the Ricci family.
After years of decay and neglect by a series of owners, in 1949 the palazzo was bought by Professor Attilo Caroti, who, after partially restoring it made it into the base for the prestigious Italian School of Mosaics. In the 1980s, part of the palazzo, having been entirely restructured, became the hotel Meublè IL RICCIO , managed with love and attention by Giorgio and Ivana Caroti.
Every corner of the palazzo pays testimony to its history, especially the impressive courtyard at the entrance with its tiled floor and its pointed arches on two sides held up by travertine columns in Tuscan style and an independent-standing upper gallery in Ionic style.
The history of these walls has remained intact for those who would like to appreciate their fascination and their magic in a peaceful and relaxing atmosphere.
Montepulciano, a town and commune in the province of Sienain southern Tuscany, (Italy), is a medieval and renaissance hill town of exceptional beauty. Montepulciano, with an elevation of 605 m (around 2000 ft), sits on a high limestone ridge. By car it is 13 km (8 miles) E of Pienza; 67 km (40 miles) SE of Siena; 124 km (74 miles) SE of Florence; 186 km (115 miles) N of Rome.
Montepulciano is a major producer of food and drink. Wine connoisseurs consider its Vino Nobile) among Italy's best. Montepulciano is also known for its pork, cheese, "pici" pasta (a thick, rough, chewy variant on spaghetti), lentils, and honey.
The main street of Montepulciano stretches for 11.5 kilometers from the Porta al Prato to the Piazza Grande at the top of the hill. The main landmarks include:
The walls of the city were designed and built under the direction of Grand Duke Cosimo I de' Medici in 1511 by Antonio da Sangallo the Elder
Arriving at Montepulciano after having passed round the top of the hill along the beautiful tree-lined street and past Poggiofanti Gardens, you come to the Church of St. Agnes, the patron saint of Montepulciano, who died in 1317. In its modern facade (1926) there is a Gothic portal. The interior of the church was renovated in the 18 C, the nave mostly in the XVII century. Many art works in the church date back to this period, among them the monument where St. Agnes's body rests.
Following the avenue, you reach Porta al Prato where the Via Roma starts. Following Via Roma, you reach a little square where the "Marzocco", the symbol of Florence's authority, stands on a column. This lion replaced the "She-wolf", the symbol of of Siena, in 1511 and is the work of the sculptor, Sarrocchi (1856). In front of the column is the Palazzo Avignonesi which is attributed to Vignola and dates back to the 16 C. Its style is pure late-Renaissance. Close to the Palazzo Avignonesi stands the Baroque Church of St. Bernard and in front of the Palazzo Avignonesi there is the late-Renaissance Palazzo Tarugi. Its lower level is characterized by ashlar-work. This building is also attributed to Vignola. Other Renaissance palaces bordering the Via Roma are: Palazzo Cocconi-Del Pecora, designed by Antonio da Sangallo, and Palazzo Buccelli with Etruscan cinerary urns and tablets with Etruscan and Latin inscriptions displayed at its base.
Be sure to visit the Church of St. Augustine, one of the most beautiful and interesting buildings in Montepulciano. Its facade was designed by Michelozzo Michelozzi (1396-1472) in the first decade of the 15 C. As Brunelleschi's disciple and collaborator, as an architect, and Donatello's disciple as a sculptor, the artist used simple and elegant Renaissance forms in the lower level. The portal has a lunette placed in the upper level and on its top an irregular tympanum stands between two thin and pointed towers like flames. They represent Gothic features which recur in the Gothic niches of the upper level. It is possible that the remaining part of the facade was completed by another architect who adopted Renaissance forms. The inside was rebuilt in the 18 C and the original design was transformed. Inside, you can admire works by Barocci, Allori, Lorenzo di Credi. On the high altar there is a wooden crucifix attributed to Donatello.
In front of the church you will find the characteristic Pulcinella (16 C) which strike hours on the bell.
Going downwards, on the left, you reach Palazzo Cappelli with frescoes by F. Zuccari at the entrance.
Take the steep street and you arrive in front of a large threefold arcade of Loggia del Mercato, attributed to Scalza.
Going downwards, through Via Cavour, you reach to Palazzo Cervini, designed by Antonio da Sangallo the Elder; Palazzo Cagnoni attributed to Vignola; the Seminary Palace close to which there is the Church of Jesus Christ designed by Andrea Pozzo in the 17 C. The facade is unfinished but the inside is beautiful and elegant.
Next to Via del Poliziano, on the left at No. 1 you find Agnolo Poliziano's house. The artist was born in June 14th, 1454.
After a few metres, you come next to the Church of Our Lady of Servants, built in the 16 C. It presents a beautiful pointed portal and, on its roof, Gothic hanging arches. The Baroque interior was designed by Andrea Pozzo.
On the right of the church, take the street which goes around the Fortress and comes out in Piazza Grande. This is the ideal and monumental centre of Montepulciano. It is one of the most beautiful squares of the minor towns of Tuscany, and preserves in silence recollections of past magnificence and high civilization. The square is bordered by important buildings: the Cathedral, with its unfinished facade; on the left, the unfinished Bell Tower dating back to the second half of the 15 C.
Where the Cathedral stands today, there was an ancient parish church which came to be considered to be inadequate and bare when beautiful buildings were built in Piazza Grande and the nearby streets. In 1583 the ancient sacristy began being pulled down and, after much debate, Bartolomeo Ammannati was asked to provide a new design which was ready in 1588. However, some years passed before work began. Meanwhile, Ammannati died. In 1593 Ippolito Scalza, a sculptor and architect of Orvieto, was employed. He adjusted the design and most probably completely rearranged the plan. In 1594, construction began and in 1680 the church was consecrated. However, the facade was never finished.
The inside consists of three aisles divided by arches resting on pillars. On the sides there are chapels. On the high altar you can admire the monumental polyptych by Taddeo di Bartolo (1410), a painter of Siena who was born in 1362 and died in 1422. In Padua he was in touch with Altichiero, one of Giotto's disciples, and he was influenced also by other painters from the Northern Italy such as Giovanni of Milan and Barnaba of Modena. It is one of his richest and most famous works, and very beautiful. It represents at its centre Our Lady's Assumption among Saints piously gathered around Her; on the top and at the centre the Coronation; laterally the Annunciation and on the pillars many figures of Saints. At the sides of the high altar stand two statues that form part of the Aragazzi Monument, representing Fortitude and Justice or Science and Faith. On the right of the high altar, leaning on a pillar, there is a fine representation of St. Bartholomew blessing the congregation. According to the ideal reconstruction of the Aragazzi Monument, the Saint ought to have been on the tomb to turn to the dead. A design of the facade of the Cathedral and the reconstruction of the Aragazzi Monument, designed by Emanuele Marcucci, are kept in the Sacristy.
The Town Hall with its beautiful central tower dates back to the 16 C and brings to mind the Palazzo Vecchio in Florence. It is a simple building with Guelph merlons and solid corbels. In the lower part, the ashlar-work is irregular and rough, in contrast to the openings of the rectangular windows which are present in the upper level in a regular rhythm. From the tower you can admire a beautiful panorama during clear and bright days.
In front of the Town Hall is Palazzo Del Monte (today Palazzo Contucci). In 1519 Antonio da Sangallo the Elder began work ordered by the Cardinal of Santa Prossede, Antonio Ciocchi Del Monte, who was Pope under the name of Julius III. The Cardinal caused many buildings to be pulled down to make room for the palace defined by Vasari as "well refined and constructed with great elegance".
In front of the Cathedral you can admire the austere Palazzo Nobili (today Palazzo Tarugi) attributed to Antonio da Sangallo the Elder. The porch, which today is blind, followed the rhythm of columns in the lower level. Windows rest on small corbels and support a curved gable; the noble portal is decorated by round arches.
The Well supports two lions which support the Medici coat-of-arms. It is similar to the coat-of-arm in the Rectory of St. Blaise. As a result, it is attributed to Sangallo. Close to it, the inward Police Court Building presents its 14 C side in Via Ricci. It was inhabited by the captain of the population.
When you reach to Via Ricci, you will find on the left a building attributed to Baldassarre Peruzzi (16 C), the Palazzo Ricci. Its facade underlines the elegant rhythm of the surface by a cornice gathering windows and recurring on the upper level at the base of the mezzanine.
Going downwards, on the left, you will find the Chapel of St. Antony, "of the Knights of St. Stephen". Down the street, there is Palazzo Benincasa with the bust of Gian Gastone dei Medici in the portal. A large square opens out into a panorama of the country. The Church of St. Francis, in the past dedicated to St. Margaret, presents on its right facade the remains of a pulpit from where St. Bernardine is said to have preached. The portal is in Gothic style. Inside, the nave has lost its original plan. The paintings on the altars are not so very important.
After having visited the town, go next to the church of the Madonna di San Biagio designed by Antonio di Francesco Giamberti, known as Antonio da Sangallo the Elder, and consecrated by Pope Clement VII in 1529. It rises in open country below the city walls and was built on the remains of the ancient parish church of St. Blaise where, according to tradition, a painting of Our Lady was seen moving her eyes. It presents a Greek-cross plan surmounted by a dome and with four equal wings. In the south wing there is a semicircular sacristy. On both sides of the northern wing, there are bell towers, one of which is unfinished. All the wings display a Doric lower level with metopes and triglyphs as a seal. The upper level has an architrave and is surmounted by a tympanum. Simple decorations adorn classical portals and windows. The dome stands on a tambour divided by Ionic pilaster strips alternating with niches. It ends with a narrow and elegant lantern. Inside, there few decorations other than the rhythm of large arches and classical ornamental elements, such as tympanums, metopes, triglyphs and niches with their altars in harmony ending with the narrow dome illuminated by the lantern. The big high altar is by Albertini (1584). Frescoes representing the Transition, the Assumption and the Coronation of Our Lady are attributed to Zuccari (16 C). In front of the church there is the Plebiscite or the Rectory of St. Blaise. The beautiful well with its curved line is similar to the well in Piazza Grande.
In keeping with its past civilization, Montepulciano has a founding legend. In fact, the town is said to originate with a noble who withdrew from Chiusi during the first barbaric invasions. He dwelt on this splendid hill which took the name "Mons Politus e Polictus" - the Mount of the Noble. The common people of Chiusi went to Città dell Pieve which, as a result, took the name "Civitas Plebis". The more important version of the founding legend is that Larte Porsena, the lucumon of Chiusi (Charmas) founded the village or that it was built after an hypothetical destruction of Chiusi in the times of Papiro Carbone and Silla.
On the Hill of Poliziano, there was a temple dedicated to Mercury from which it took the name Mons Mercurius. The presence of many Etruscan remains indicates that Montepulciano's outskirts have been inhabited since that period. However, according to some scholars, the fact that the temple which was set up on the location of the present Fortress and which was dedicated to St. Donatus in 361 implies that this place was not inhabited during the Roman period. It was possibly not inhabited until the 6 C when the population of Chiusi arrived, having been put to flight by barbarian invasions. They first settled in the area known as Collazzi. Evidence for the existence of this town appeared for the first time in a document of 715 where it is clearly named as "Mons Politianus". Montepulciano was given the title of "imperial town" by Otto I. It was always the subject of contention among Florence, Siena, Perugia and Orvieto, even when the town enjoy independence and autonomy.
The inhabitants did not like Siena which was always perceived to be their enemy and in 1202 they swore fidelity to Florence. Nevertheless, it was under the domination of Siena the present Fortress named "Castrum Politianum" was built. In 1266, Montepulciano put itself under the protection of Carlo I d' Angiò to throw off the yoke of Siena. In 1287 Montepulciano was among the towns Florence wanted to be part of the Guelph "taglia", together with Lucca, Arezzo and Chiusi.
In 1358, ever the enemy of Siena, Montepulciano formed an alliance with Perugia and defeated the Siennese army. After many vicissitudes, in 1511 Montepulciano fell definitively to Florence. When Montalcino, Radicofani, Buonconvento and Pienza were on the point of defending Siena's freedom against the Medicis' domination, Montepulciano was named by Cosmo I Medici a "noble town". Montepulciano could not tolerate Siena's domination because it felt at the same level as Siena in terms of culture, power and civilization. Montepulciano was the birthplace of Angelo Ambrogini, known as Poliziano, a great poet of the Medici court during the Renaissance; St. Robert Bellarmino, who was one of Galileo's friends and was charged to bring him the news of his conviction; Pope Marcellus II and other Popes. |
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